This silhouette-based work has been part of a collaboration we've done in the past. As I've already created close to two dozen panels for a future iteration of this project it will be interesting to see if a new landscape inspires a similar approach.
In packing up the studio yesterday for the upcoming move to the SW I ran across this lovely painting Ariana did a number of years ago during a trip to Bainbridge Island. It is a large watercolor portrait of the detritus around the studio we were using during our visit, and will now be part of the wistful record of Pacific Northwest flora we'll undoubtedly pine for when living in the desert.
This silhouette-based work has been part of a collaboration we've done in the past. As I've already created close to two dozen panels for a future iteration of this project it will be interesting to see if a new landscape inspires a similar approach.
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Last weekend included a foray to the Oregon Coast; a place that never fails to incite the imagination with its majestic combination of meteorological atmospherics and geologic drama. Like every other visitor to Cannon Beach I succumbed to the dynamic magnetism of Haystack Rock, but I did not allow it to blind my camera to nature's other realities. Here then is an utterly unencumbered picture of death the likes of which only a nature outside of human sentiment can conjure.
What sort of art might you expect to find in a three-story, ten bedroom, luxury beach house get-a-way? In one word: plenty. Here's a partial inventory of the works on display in one such house along the Outer Banks of North Carolina. . .
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For over a decade Jeffrey T. Baker has explored the elegiac and sublime through his mixed media artworks. He harbors an unapologetic predisposition for the decayed and imperfect.
Presented here are his thoughts on artistic process, inspirations, tutorials, and information about related upcoming events. NEWSCATEGORIES
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April 2015
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